Process

I sourced organic footage of fluid dynamics—acrylic pours and oil flows—and utilized them as a canvas for aggressive digital manipulation. Using Pixel Sorting algorithms and varied glitch techniques, I programmed the visual distortion to react directly to the audio frequencies of the track. The result is a high-energy, psychedelic experience where the "liquid" visuals break and reform in perfect synchronization with the music, demonstrating a raw, experimental side of my technical direction.